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Log 34
Why would an architecture journal devote an entire issue to thinking about food? Log 34: The Food Issue explores food in its many aspects and reveals a boundless realm of contemporary cultural production. In this Spring/Summer 2015 issue, contributions from inside and outside the worlds of food and architecture – from chefs and architects to artists, critics, entrepreneurs, lawyers, and eaters – highlight the many parallels between cuisine and architecture (beyond the basic needs for food and shelter) and demonstrate that food is everywhere and in everything. Guest edited by Jan Åman and Savinien Caracostea of AtelierSlice, Log 34 features renowned chefs, including Ferran Adrià, Dan Barber, Massimo Bottura, Magnus Nilsson, Jacques Pépin, and Christina Tosi, as well as critically acclaimed artists like Carsten Höller, Tobias Rehberger, and Rirkrit Tiravanija. In short, countless reasons to focus on food today, from the obvious to the surprising.
 
Cynthia Davidson and Monica Ponce de Leon to Curate the U.S. Pavilion Exhibition in the 15th International Architecture Biennale in Venice
The U.S. Department of State has selected The Taubman College of Architecture and Urban Planning at the University of Michigan to organize the exhibition of the United States Pavilion in the 2016 Venice Architecture Biennale.
William Adams Delano and Chester Holmes Aldrich, The United States Pavilion of the Venice Biennale, 1930.
 
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In Pursuit of Architecture Videos
To mark its 10th anniversary and 29th issue, Log presented "In Pursuit of Architecture," a conference at MoMA on September 21, 2013 that featured recent built work selected from an open, international call for submissions.

Join the discussion. Click through to watch videos of the presentations by the 10 architects and see them all join in roundtable discussions on the state of architecture with four critics. And be sure to purchase your copy of Log 29.
 
A Question of Qualities
Jeffrey Kipnis's writing, thinking, and teaching casts architecture as both an intellectual discourse and a lived, affective experience. His essays on contemporary architects are less about making critical judgments than about explication, exegesis, and provocation. In these eleven essays, written between 1990 and 2008, he considers projects, concepts, and buildings by some of the most recognized architects working today, with special attention to the productions of affect. He explores intuition in the work of Morphosis, exhilaration in Coop Himmelb(l)au, freedom in the work of Rem Koolhaas and OMA, magic in Steven Holls buildings, and anxiety in Rafael Moneos writing about contemporary architecture.